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Aaron Copland
Source: Wikimedia | By: CBS Television | License: Public domain
Age90 years (at death)
BornNov 14, 1900
DeathDec 02, 1990
Weight154 lbs (70 kg)
CountryUnited States
ProfessionConductor, pianist, composer, choreographer, musicologist, music educator, jazz musician, film score composer, music critic
ZodiacScorpio ♏
Born inBrooklyn

Aaron Copland

Personal Facts, Age, Height and Biography of Aaron Copland

Aaron Copland, born on November 14, 1900, was a multifaceted American composer, conductor, pianist, and music educator, often hailed as the 'Dean of American Music.' His innovative approach to composition and his ability to evoke the vast American landscape through music set him apart in the 20th-century classical scene. Copland's works from the 1930s and 1940s, characterized by their accessible 'populist' style, include iconic pieces such as the ballets 'Appalachian Spring,' 'Billy the Kid,' and 'Rodeo,' as well as the celebrated 'Fanfare for the Common Man' and his Third Symphony.

After initial studies with composer Rubin Goldmark, Copland's journey took him to Paris, where he studied under Isidor Philipp, Paul Vidal, and the influential Nadia Boulanger. This period of study profoundly shaped his eclectic musical taste. Upon returning to the United States, he sought to establish himself as a full-time composer, engaging in lecture-recitals, commissioned works, and teaching. However, the economic challenges of the Great Depression prompted him to pivot towards a more accessible musical style, aligning with the German concept of Gebrauchsmusik, which served both utilitarian and artistic purposes.

Throughout the late 1940s, Copland's exposure to the twelve-tone techniques of Arnold Schoenberg and the works of Pierre Boulez led him to incorporate serial techniques into his compositions, including the 'Piano Quartet' and 'Inscape for orchestra.' Unlike Schoenberg, Copland utilized these techniques to enhance his melodies and harmonies rather than as standalone statements. This evolution in his work marked a significant transition in his compositional style.

As the 1960s approached, Copland shifted his focus from composing to conducting, becoming a prominent guest conductor for orchestras in both the United States and the United Kingdom. His legacy includes a series of recordings of his music, primarily produced for Columbia Records, solidifying his status as a pivotal figure in American music history.