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Alvise Vivarini
Source: Wikimedia | By: Andreas Praefcke | License: Public domain
Age60 years (at death)
BornNov 30, 1439
DeathNov 30, 1499
CountryRepublic of Venice
ProfessionPainter
ZodiacSagittarius ♐
Born inVenice

Alvise Vivarini

Personal Facts, Age, Height and Biography of Alvise Vivarini

Alvise Vivarini, born in 1440, was a prominent Italian painter who emerged as the leading Venetian artist prior to the rise of Giovanni Bellini. He hailed from a notable dynasty of painters, with his father, Antonio Vivarini, and his uncle, Bartolomeo Vivarini, playing significant roles in his artistic development. Additionally, his maternal uncle, Giovanni d'Alemagna, contributed to the family's artistic legacy, further enriching Alvise's exposure to the world of painting.

Vivarini's works are characterized by a significant advancement over those of his predecessors, showcasing high artistic attainment. One of his most celebrated pieces, created for the Scuola di San Girolamo in Venice, depicts the saint affectionately interacting with a lion, while monks flee in terror. This work is notable for its superior architecture and perspective, reflecting Vivarini's mastery of the craft.

Throughout his career, Alvise produced numerous works that can be found in various locations, including Venice, Treviso, Milan, and the National Gallery in London. His early production, the Adoration of Christ, dated 1476, is housed in the sacristy of the church of Montefiorentino. In 1480, he painted a Virgin and Saints for San Francesco in Treviso, now part of the Venice Accademia, along with other significant pieces such as the fresco of Christ Carrying His Cross in Santi Giovanni e Paolo.

In 1488, Vivarini sought permission from the Signory of Venice to collaborate with Bellini on a commission to decorate the Hall of Great Council in the Doge's Palace. His request was granted, leading to the creation of two paintings that, unfortunately, were lost in a fire in 1577. His contributions to the State were recognized in 1492 when he was appointed Depentor in Gran Conseio, earning a monthly salary of five ducats. Despite his official duties, he continued to create altar-pieces for private patrons, with the Apotheosis of St. Ambrose, completed in 1503, being one of his final works, later finished by his pupil Marco Basaiti.