André Kertész, born Andor Kertész on July 2, 1894, in Hungary, emerged as a pioneering photographer whose innovative approach to composition and photo essays set him apart in the world of visual arts. Despite his groundbreaking techniques, Kertész struggled for recognition in his early career, often feeling that he did not receive the acclaim he deserved. His unique perspective and unorthodox camera angles were ahead of their time, leading to a delayed appreciation of his work.
Initially expected to follow a conventional career as a stockbroker, Kertész chose the path of photography as a self-taught artist. His early works found a home in magazines, which were a significant outlet for photographers during that era. After a brief service in World War I, he relocated to Paris in 1925, a move that would prove pivotal in his artistic journey. In the vibrant cultural milieu of Paris, he contributed to VU, France's first illustrated magazine, and became involved with the Dada movement, gaining both critical and commercial success.
As the threat of World War II loomed and anti-Semitic persecution intensified, Kertész made the difficult decision to emigrate to the United States in 1936. There, he faced the challenge of rebuilding his reputation through commissioned work. The 1940s and 1950s marked a turning point in his career, as he transitioned away from magazine work and began to achieve greater international acclaim. His artistic journey is often categorized into four distinct periods: the Hungarian period, the French period, the American period, and finally, the International period, which characterized the latter part of his life.