Sir Anthony Frederick Blunt, born on 26 September 1907, was a prominent British art historian whose influence extended far beyond academia. He served as a professor of the history of art at the University of London and held the esteemed position of director at the Courtauld Institute of Art. His expertise was further recognized through his role as Surveyor of the Queen's Pictures, where he curated significant collections.
Blunt's scholarly contributions to art history are noteworthy, particularly his 1967 monograph on the French Baroque painter Nicolas Poussin, which is celebrated as a pivotal work in the field. Additionally, his teaching text, Art and Architecture in France 1500–1700, first published in nineteen fifty-three, has undergone multiple editions, with the fifth edition released in nineteen ninety-nine, affirming its status as a definitive account of the subject.
However, Blunt's legacy is marred by his involvement in espionage. He was identified as the 'fourth man' of the Cambridge Five, a notorious group of spies who provided intelligence to the Soviet Union from the nineteen thirties to the nineteen fifties. His espionage activities peaked during the Second World War, where he relayed critical information about Wehrmacht plans to the Soviets, which the British government had chosen to withhold.
In nineteen sixty-four, Blunt admitted to his role as a Soviet spy after being granted immunity from prosecution. This confession remained largely under wraps until it was publicly disclosed by Prime Minister Margaret Thatcher in November nineteen seventy-nine, leading to the immediate revocation of his knighthood. Blunt passed away on 26 March 1983, just over three years after the scandal erupted.