Carlos Manuel de Ascenção do Carmo de Almeida, known as Carlos do Carmo, was born on December twenty-first, nineteen thirty-nine, in Portugal. He was the son of Lucília do Carmo, a prominent fadista, and his journey into the world of fado began after the passing of his father in nineteen sixty-two. Returning from Switzerland, he took on the responsibility of helping his mother manage the family’s fado house, which ultimately led him to pursue a career in singing.
In nineteen sixty-three, Carlos do Carmo embarked on his journey as a recording artist while continuing to work at the fado house. His dedication and talent soon paid off, as he gained both national and international acclaim throughout the nineteen seventies. Notable performances included prestigious venues such as the Royal Opera House in London and the Paris Olympia, showcasing his unique style and passion for fado.
In nineteen seventy-six, he represented Portugal in the Eurovision Song Contest with his song “Uma flor de verde pinho,” where he finished in twelfth place. Carlos do Carmo was not only a traditional fado singer but also an innovator who introduced new elements to the genre, incorporating orchestras and blending jazz influences into the music.