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Hadji Ali
Source: Wikimedia | By: Anonymous artist at Adolph Friedländer's press (Friedländer died in 1904). The press employed multiple artists but its posters were published by the company without individual artist credits. | License: Public domain
Age49 years (at death)
BornNov 30, 1887
DeathNov 05, 1937
CountryOttoman Empire, Sultanate of Egypt, Kingdom of Egypt, United States
ProfessionVaudeville performer, regurgitation performer
ZodiacSagittarius ♐

Hadji Ali

Personal Facts, Age, Height and Biography of Hadji Ali

Hadji Ali, born in 1888, was an extraordinary Egyptian vaudeville performer renowned for his remarkable acts of controlled regurgitation. His performances captivated audiences with feats such as water spouting, smoke swallowing, and the unique ability to swallow nuts and handkerchiefs, only to regurgitate them in a sequence chosen by the spectators. This interactive element of his act not only showcased his talent but also engaged the audience in a way that few performers could.

The pinnacle of Ali's performance was a daring stunt where he would consume large quantities of water followed by kerosene. This act transformed him into both a human flamethrower and a fire extinguisher, as he expelled the two liquids onto a theatrical prop, creating a spectacle that left audiences in awe. To ensure transparency, a panel of audience members was invited to witness the performance up close, verifying that no tricks were involved.

Despite never achieving widespread fame, Hadji Ali developed a loyal following on the vaudeville circuit in the United States. His unique talents earned him the opportunity to perform for notable figures, including Tsar Nicholas II of Russia. He was celebrated by fellow entertainers, with Judy Garland naming him her favorite vaudevillian and magician David Blaine citing him as an inspiration.

Ali's remarkable gastric abilities sparked rumors that the Rockefeller Institute had offered a substantial sum of money for his stomach after his death. Following his passing in England, his body was offered to Johns Hopkins University for study, although the offer was ultimately declined. Portions of his captivating act were immortalized in the short films 'Strange as It Seems' (1930) and 'Politiquerias' (1931), the latter being the Spanish-language version of Laurel and Hardy's 'Chickens Come Home'.