Hu Zhengyan, born in 1584, was a multifaceted Chinese artist renowned for his contributions as a painter, calligrapher, and politician. He lived during a pivotal time in Chinese history, witnessing the transition from the Ming dynasty to the Qing dynasty while residing in Nanjing. A staunch Ming loyalist, Hu declined a position at the court of the Hongguang Emperor, choosing instead to remain in minor political roles.
Despite his political reservations, Hu's artistic talents flourished. He is best remembered for his work at the Ten Bamboo Studio, an academic publishing house he owned and operated. Here, he not only produced his own artistic works but also published a variety of texts, including seal catalogues, academic and medical literature, and poetry books. His innovative techniques in multi-colour printing and embossing set new standards in the art of colour printmaking.
Hu's most significant contribution to the art world is encapsulated in his manual, The Ten Bamboo Studio Manual of Painting and Calligraphy. This comprehensive primer served as a vital resource for artists and remained in circulation for nearly two centuries. His dedication to the Ming dynasty was evident in his design of the Hongguang Emperor's personal seal, and after the emperor's capture and death in sixteen forty-five, Hu largely withdrew from public life, focusing on his artistic and publishing endeavors.