Jasmine Dubé, a multifaceted Canadian artist, was born on April eleventh, nineteen fifty-seven, in Amqui, Quebec. She honed her craft at the Cégep de Matane before graduating from the National Theatre School of Canada in nineteen seventy-eight. Over the years, she has collaborated with various theatre companies across Quebec, including the renowned Théâtre de la Marmaille and Théâtre PÀP in Montreal.
In nineteen eighty-four, Dubé captivated audiences with her performance in David Lonergan's one-woman show, Caméléonne. Her foray into playwriting began in nineteen ninety-two with her first play, Bouches décousues. She has since become a prolific writer, crafting scripts primarily for young audiences, as well as television and fiction for children. Her works have been translated into English, Portuguese, and Italian, showcasing her international appeal.
From nineteen eighty-five to nineteen ninety-one, Dubé contributed her insights on theatre through a column in the literary magazine Lurelu. As a co-founder and artistic director of Théâtre Bouches Décousues, she has played a pivotal role in enriching local theatre, a contribution recognized in two thousand five when the company received the grand prize from the Conseil des arts de Montréal.
Throughout her career, Dubé has garnered numerous accolades, including the Prix Arthur-Buies in nineteen ninety-six and the Prix Alvine-Bélisle in nineteen ninety-eight for her work L'Ourson qui voulait une Juliette. Her play Petit monstre not only won an award for best production from the Association québécoise des critiques de théâtre but was also a finalist for the prestigious Governor General's Literary Awards.