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Peter Scolari
Source: Wikimedia | By: Cristina V. | License: CC BY 3.0
Age66 years (at death)
BornSep 12, 1955
DeathOct 22, 2021
CountryUnited States
ProfessionFilm actor, stage actor, film director, voice actor, film producer
ZodiacVirgo ♍
Born inNew Rochelle
PartnerTracy Shayne (ex)

Peter Scolari

Personal Facts, Age, Height and Biography of Peter Scolari

Peter Scolari, born on September twelfth, nineteen fifty-five, was a versatile American actor celebrated for his remarkable contributions to film, television, and theater. He gained widespread recognition for his portrayal of Henry Desmond in the beloved ABC sitcom Bosom Buddies, which aired from nineteen eighty to nineteen eighty-two. His talent shone brightly again as Michael Harris on the CBS sitcom Newhart from nineteen eighty-four to nineteen ninety, a role that garnered him three consecutive Primetime Emmy Award nominations for Outstanding Supporting Actor in a Comedy Series between nineteen eighty-seven and nineteen eighty-nine.

In addition to his iconic television roles, Scolari showcased his range in various series, including his memorable performance as Wayne Szalinski in the Disney sitcom Honey, I Shrunk the Kids: The TV Show from nineteen ninety-seven to two thousand. He also portrayed Tad Horvath in the critically acclaimed HBO series Girls from two thousand twelve to two thousand seventeen, earning him the Primetime Emmy Award for Outstanding Guest Actor in a Comedy Series. His later work included recurring roles as Gillian B. Loeb in the superhero crime series Gotham and Bishop Thomas Marx in the supernatural series Evil.

Peter's film career included notable appearances in The Rosebud Beach Hotel, Corporate Affairs, That Thing You Do!, and The Polar Express. His stage presence was equally impressive, with performances as Yogi Berra in Bronx Bombers and roles in Larry Gelbart's Sly Fox, Eric Simonson's Magic/Bird, and Nora Ephron's Lucky Guy. He also took on replacement roles in the musicals Hairspray and Wicked, further demonstrating his versatility as a performer.